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September 29, 2023
More Techniques from “Backgrounds and Textures” from The Snarky Quilter

Just yesterday I discovered a few videos in my Jane Dunnewold class that I had never watched, so of course I ignored a few chores to watch them. I learned about making prints with a ballpoint pen, rubbing a laser photocopy with CitraSolv to make a fabric transfer, and treating heavy paper with hair conditioner to impart a soft crinkled texture.

I had little luck with the ballpoint pen technique to emboss paper, though I hope to try it again now that my gel plate is cleaner. Mark Yeates has videos that show how he uses it. His results are ...

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November 4, 2022
You Can Print With Anything from The Snarky Quilter

Originally I typed “you can print anything,” but that can be misinterpreted. I want to talk about the use of unconventional objects in gel printing. Of course, there are screens, stencils, stamps, etc., sold for printing. However, I like found objects that are free.

Instagram offers lots of ideas for such objects. Margaret Molinari (@margarts) prints on fabric with all sorts of items – pressed glass, reed baskets, fruits, vegetables, etc. Another artist, @giogiocraft, uses leaves in a fast way to get a ghost print from a gel plate.

I couldn’t resist (ha!) gathering and pressing leaves, and then printing ...

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July 29, 2022
Paper Work from The Snarky Quilter

While I’m resting up my arms and shoulders from a quilt wrestling project (why did I choose a circular quilting design?) I’ve been playing with paper. Some efforts I’ve framed, and some I’ve created as part of Willa Wanders‘ free Fodder Challenge lessons.

After living with so-so framed art for many years I decided new art in the frames would be nice. One is a collage, two are gel plate monoprints, and one is a weaving of collaged strips sewn onto paper. I had forgotten what a pain it is to frame stuff.

In between faulty ...

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  • gel plate printing
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